Written and directed by Brennan Columbia-Walsh ’26, “Fear and Trembling” is a dramatic interpretation of Søren Kierkegaard’s legendary treatise.

A light, whimsical atmosphere filled the intimate space of the Dome as the Yale Ballet Company, or YBC, performed “Alice in Wonderland” to the live music of the Yale Undergraduate Chamber Orchestra.

Ibrahim’s performance — organized jointly between the Shubert and the Schwarzman Center — was part of a string of performances carrying the venerable College Street theater through the end of the year.

“How stable everything seems, even as we conceive and conceive that nothing lasts forever,” sang Gelsey Bell as she stood shoulder to shoulder with her fellow actors in front of the crowd.

On Nov. 4, Yale Peabody Museum, in partnership with Yale Schwarzman Center, will host an experimental opera that imagines Earth after human extinction.

Gelsey Bell: “The piece is designed so that people start off feeling apocalyptic. Then they can go on a journey that leaves them in a different place."

Site-specific performances of Tennessee Willams's "A Streetcar Named Desire"

Listen to a conversation with Gelsey Bell, creator and writer of MƆɹNIŊ [MORNING//MOURNING]

this dry spell; Winner of the 2024 Yale Drama Series Prize

Listen to the student creatives behind Fear and Trembling a dramatic adaptation by Brennan Columbia-Walsh.